About Peter's writing journey

Peter J Cervantes is a literary author from San Diego, California. Discover what inspired Peter to become a writer, and how his personal journey shaped his unique writing style.

I never planned to become a writer. Hell, I barely read anything beyond pharmacy manuals until my late thirties. Writing found me during the darkest period of my life, when I was drowning in anxiety, self-destructing through job after job, and my heart was literally screaming at me to pay attention before it killed me.

My therapist Drew suggested I start journaling as part of my healing process. I rolled my eyes so hard I probably pulled something. "I'm not keeping a fucking diary," I told him. But desperation makes you try things you'd normally dismiss, and I was desperate enough to try anything that might help me stop feeling like I was suffocating in my own life.

Those first journal entries were complete shit—angry word vomit about my family, stream-of-consciousness rambling about panic attacks, bitter rants about jobs I'd sabotaged. But something unexpected started happening. Beneath all that surface noise, other voices began emerging. Memories I'd forgotten. Insights I didn't know I had. Stories that needed telling.

The real breakthrough came when I started writing letters I'd never send—to my dead abuelito, to my father who'd disowned me, to younger versions of myself who'd made survival choices I'd spent years judging. These weren't therapeutic exercises anymore; they were excavations of buried truth, archaeological digs into my own soul.

What shaped my writing style was necessity. I couldn't find books that spoke to someone like me—a gay Mexican guy dealing with family rejection, generational trauma, HIV stigma, and the particular hell of existing at the intersection of multiple marginalized identities. Every self-help book seemed written for people who'd never had to choose between their family and their truth.

The writing that emerged from my healing journey was raw, unfiltered, unapologetic. I wrote the way I talked to myself in therapy—no bullshit, no spiritual bypassing, no pretty language to make hard truths more palatable. I wrote for the Peter who was drowning at thirty-seven, convinced he was too damaged to heal. I wrote for every queer person of color who'd been told their pain was too complex, too messy, too much.

Something I'd forgotten until I started writing regularly: I'd been a theater kid in high school. I'd loved inhabiting different characters, exploring human complexity through performance. Writing brought back that same joy of diving deep into psychology, of finding truth through story, of creating something that might move people.

But unlike theater, writing didn't require anyone else's permission. I didn't need to audition for the role of telling my own story. I didn't need producers or directors to approve my vision. The page became my stage, and I could perform every role—the wounded child, the angry young man, the slowly healing adult, the wise guide who'd walked through fire.

My writing style developed from understanding that healing happens in community, through shared story. The most powerful moments in therapy came when I stopped trying to sound smart or together and just told the truth about what I'd experienced. That honesty—messy, contradictory, sometimes ugly—became the foundation of how I write.

I use profanity because that's how I actually talk, especially when I'm being vulnerable. I share embarrassing details because shame dies in the light of honest disclosure. I refuse to clean up my story to make it more digestible because the messy parts are often where the real medicine lives.

The Spanish phrases scattered throughout my writing aren't decoration—they're how my brain actually works, code-switching between the language of my family and the language of my education. The pop culture references and contemporary slang aren't attempts to sound cool—they're how someone who came of age in the '90s and 2000s actually processes experience.

Writing "The Road Back to Me" became an act of service to the community that held me when my biological family couldn't. I wrote for the young queer people of color who are googling "how to survive family rejection" at 3 AM. I wrote for the thirty-something gay men who think they're too old to heal. I wrote for anyone who's ever felt like their trauma was too complex for existing healing frameworks.

This responsibility shaped every word choice. I had to be honest about the brutal realities—the suicide statistics, the homelessness rates, the particular violence of being rejected by your own family for existing authentically. But I also had to offer hope grounded in reality, not fantasy. Tools that actually work, not just inspirational platitudes.

My writing journey parallels my healing journey—from desperate survival to conscious service. The early journal entries were about trying not to die. The book became about helping others learn to live. The essays and social media posts are about building community and breaking down the isolation that kills our people.

Writing taught me that my pain wasn't just personal—it was political, generational, cultural. Every story I tell about healing from family rejection is also a story about systems that profit from our suffering. Every tool I share for processing trauma is also resistance against forces that want us broken and silent.

The style that emerged—unflinching honesty mixed with dark humor, spiritual insight grounded in practical application, individual healing connected to collective liberation—comes from understanding that my healing is never just about me. It's about every ancestor who didn't get the chance to heal and every young person who needs to know that wholeness is possible.

I'm still learning to trust my voice, still fighting the internalized messages that told me people like me don't get to be writers, don't have stories worth telling. Every piece I publish is an act of rebellion against everyone who told me to be smaller, quieter, more acceptable.

Writing became the way I reclaimed the creativity that family trauma had nearly destroyed. It's how I honor my abuelito's lesson that broken things can be beautiful again. It's how I transform decades of pain into something useful for others walking similar paths.

My writing journey isn't separate from my healing journey—it's the same journey, just with words as tools for transformation instead of just therapy sessions and meditation cushions. Both are about excavating authentic self from beneath layers of conditioning and trauma. Both are about choosing truth over comfort, growth over stagnation, service over self-pity.

The kid who got accepted to art school but was told it wasn't practical finally gets to create something meaningful. The theater student who was told men don't work in beauty finally gets to make something beautiful from the rubble of his own destruction. The sensitive boy who was told he was too much finally gets to use that muchness in service of others who were told the same lie.

This is what happens when healing and creativity converge: pain becomes medicine, wounds become wisdom, and one person's journey home to themselves becomes a roadmap for others to follow.

Defining success as an author

For Peter J Cervantes, success isn't just about book sales. It's about the impact his writing has on readers. He hopes his words will help people feel less alone in their healing journey and break the silence around mental health in LGBTQ+ communities of color.

Success for me isn't something I can measure yet—my book doesn't come out until spring, and I honestly have no idea what to expect. But I know it won't be about hitting bestseller lists or getting featured in major publications. Success will be measured in messages from readers who say "I thought I was the only one" or "You helped me understand I wasn't broken beyond repair."

The success I'm imagining looks like a young queer person of color reading my story and realizing their family's rejection says nothing about their worth. It's a forty-year-old gay man finally understanding that his anxiety isn't a character flaw but trauma that can be healed. It's someone's parent reading the book and beginning to comprehend what their child has endured, maybe even taking the first steps toward repair.

I'm not naive about the publishing world—I know most books disappear without much notice. But if even a handful of people find what I've written useful, if it helps them feel less alone in their healing journey, then putting my story out there will have been worth the vulnerability and risk.

My primary goal is to add one more voice to breaking the deadly silence around mental health in LGBTQ+ communities of color. We're dying—literally dying—because we've been taught that seeking help is shameful, that our pain is too complex to address, that we should just pray harder or work harder or be grateful for what we have.

I don't expect one book to change everything, but maybe it can contribute to a cultural shift where a young Latino gay man doesn't have to choose between honoring his culture and accessing therapy. Where a Black transgender woman doesn't feel like she has to handle family rejection and systemic discrimination entirely alone.

If my writing helps even one person realize that therapy isn't weakness, that trauma is treatable, that healing is possible even when you're carrying multiple forms of oppression—then it's successful regardless of sales numbers.

The most important success would be inspiring other LGBTQ+ people of color to tell their own healing stories. My experience is just one path through the wilderness—we desperately need dozens, hundreds of different voices sharing how they found their way back to wholeness.

I spent years searching for books that spoke to someone like me—a gay Mexican guy dealing with family rejection, generational trauma, HIV stigma, and the particular hell of existing at the intersection of multiple marginalized identities. I found almost nothing that reflected my specific experience.

If my book encourages other people to write their stories, if it shows publishers and agents that there's hunger for these narratives, if it proves that LGBTQ+ people of color deserve space on bookshelves—that would be the biggest success I could imagine.

I'll be honest—I'm scared as hell about putting this story into the world. Writing it was healing, but publishing it feels like standing naked in Times Square and hoping people are kind. I'm about to share the most vulnerable details of my life with complete strangers, and I have no idea how they'll respond.

What if people think I'm too angry, too damaged, too much? What if my family reads it and feels betrayed by my honesty about our dysfunction? What if the LGBTQ+ community thinks I'm airing dirty laundry that should stay private? What if I've somehow gotten it all wrong?

But I keep coming back to the young person who might pick up my book at 3 AM during their darkest moment. If sharing my mess helps them feel less alone, then the fear of judgment becomes secondary to the possibility of connection and healing.

Since I've never published anything before, I'm learning about success in real time. I'm discovering that even getting a book deal felt like success after years of thinking my story didn't matter. Seeing my words in professional editing software felt like success. Getting cover design options felt like success.

Maybe success is more about the journey than the destination. The writing process itself transformed my relationship to my own trauma. Having to articulate exactly what each healing modality did, how shadow work differed from therapy, why breathwork accessed things traditional talk therapy couldn't reach—all of that deepened my own integration of the work.

I'm realizing that publishing this book might be healing for me regardless of how others receive it. It's my way of refusing to be ashamed of my story, of claiming space for experiences that are often marginalized or ignored.

Real success would mean contributing to conversations that desperately need to happen. I hope therapists read stories like mine and better understand intersectional trauma. I hope parents in traditional communities begin questioning whether rejecting their children actually protects family honor or destroys it.

I want young people to see that healing is possible even when your trauma is complex, even when your family rejects you, even when you feel too broken to fix. I want them to know that the statistics about LGBTQ+ suicide and homelessness aren't inevitable—they're consequences of systems that can change.

The ultimate impact would be contributing to a world where fewer LGBTQ+ people of color have to heal alone, where more families choose love over prejudice, where seeking help is seen as strength rather than weakness.

The success I'm most interested in won't be measurable for years, maybe decades. It's the ripple effects of one person healing and then being able to show up differently in their relationships, their work, their community. It's the possibility that someone reads my story and decides to break a cycle in their own family line.

It's communities where being queer and being a person of color aren't sources of shame but sources of strength and wisdom. Where our intersectional identities are recognized for what they actually are—sources of resilience, creativity, and insight that come from navigating multiple worlds.

The ultimate success would be my book becoming historical artifact—evidence of what it was like to heal from family rejection and cultural trauma during this particular moment, read by future generations who can't imagine a time when LGBTQ+ people of color had to fight so hard for basic acceptance.

Come spring, when the book is actually in people's hands, I suspect I'll learn what success really means. Maybe it's one person reaching out to say the book helped them choose therapy over self-destruction. Maybe it's a parent who finally understands what they put their child through. Maybe it's another writer who decides their story is worth telling too.

I'm trying to prepare myself for the possibility that the book will be largely ignored—that's the reality for most debuts, especially from unknown authors writing about difficult topics. But I'm also trying to stay open to the possibility that it might find its way to exactly the people who need it.

Either way, I'll have done what I set out to do: transform my pain into something that might be useful for others. Whether that reaches ten people or ten thousand isn't entirely up to me.

That's what success looks like for a first-time author who's still figuring it all out: showing up authentically, sharing honestly, and trusting that the right people will find what they need in the mess of your story.

A memorable behind-the-scenes moment

Peter J Cervantes shares a memorable behind-the-scenes moment related to his writing process for "The Road Back to Me."

I'd been talking about writing this book since the very beginning of my healing journey—one of those dreams you carry around like a talisman, half-believing it might actually happen someday. For years, it lived in conversations with my therapist Drew and my spiritual advisor Diane, in late-night discussions with my partner Stephen, in journal entries where I'd write "maybe I should turn this into a book" and then immediately dismiss the idea as grandiose bullshit.

But the talking and the dreaming were just preparation. The real work began at the start of this year when I finally stopped making excuses and started actually writing. Not just journaling or therapeutic word vomit, but sitting down with the intention of creating something that could serve other people walking similar paths.

Then came late May. I took a week off work, told everyone I was unavailable, stocked up on coffee and snacks, and planted myself in front of my computer like I was going into battle. No social media, no distractions, just me and the cursor blinking on a blank page.

The first day was terrifying. I kept second-guessing every sentence, wondering who the hell I thought I was to write a book about healing. But by day two, something shifted. The stories started pouring out—my abuelito's workshop, my father's rejection, Michael's suicide, the heart attack that nearly killed me. All the pain I'd been processing for years suddenly had a purpose beyond just my own recovery.

By day three, I was writing twelve-hour stretches, stopping only to eat and sleep. The tools that had saved my life—shadow work, EMDR, breathwork, meditation, journaling, generational trauma healing—were organizing themselves into a coherent framework that others could actually use.

By the end of that week, I had the complete first draft of "The Road Back to Me: Six Sacred Tools for Queer Healing Through Shadow, Breath, and Truth." Sixty-five thousand words that had been living inside me for years, finally given form and structure.

When I typed "The End" on that Sunday night, I sat back in my chair and felt something I'd never experienced before: the profound satisfaction of having transformed my deepest wounds into medicine for others. The book that had been a dream for so long was finally, miraculously, real.

Connect with Peter

Stay updated on Peter J Cervantes's latest projects and news. The most authentic way to connect with Peter is through the platforms where he's actively engaged.

The most authentic way to connect with me is through the platforms where I'm actually showing up regularly, not just maintaining a token presence. I'm most active on Instagram @peterj.cervantes where I share real-time updates about the writing process, behind-the-scenes moments from my healing journey, and honest reflections on what it's like navigating the intersection of being queer, Latino, and committed to breaking generational cycles.

I also write regularly on Substack at peterjcervantes.substack.com, where I dive deeper into topics that don't fit into social media posts—longer pieces about specific healing tools, cultural observations about LGBTQ+ communities of color, and excerpts from work I'm developing beyond the book.

What I love most is when readers share their own stories in response to mine. Some of the most meaningful connections happen in the comments section of my posts, where people feel safe enough to be vulnerable about their own healing journeys. I read every comment and try to respond thoughtfully, especially when someone is sharing something difficult or asking for resources.

I'm also building an email list for people who want more intimate updates about upcoming projects, early access to new writing, and information about any speaking engagements or workshops I might do. You can sign up through either my Instagram bio or my Substack page.

I'm not going to flood your feed with inspirational quotes over sunset photos or try to become some polished wellness influencer. My social media presence is as messy and honest as my book—you'll see me celebrating small victories in my healing journey, wrestling with difficult family dynamics, sharing resources that actually work, and probably complaining about the publishing process more than is strictly professional.

I share practical tools and techniques from my healing work, not because I'm some guru who has it all figured out, but because I know how isolating it can feel to navigate complex trauma without community support. If something I've learned can help someone else's journey, I want to make it accessible.

For more personal connection, I'm responsive to direct messages on Instagram, though I ask for patience since I'm still figuring out how to balance being accessible with maintaining healthy boundaries. I can't provide individual therapy or coaching, but I'm happy to point people toward resources, recommend books or healing modalities, or just offer encouragement when someone is having a rough day.

I'm also open to speaking opportunities, podcast interviews, or collaboration with other creators who are doing authentic work in the healing and LGBTQ+ spaces. My contact information for professional inquiries is available through my Substack page.

My goal isn't to build a massive following but to create genuine community around healing and authenticity. I want to connect with people who are doing their own work, breaking their own cycles, refusing to accept that trauma is just something you have to live with forever.

The readers who connect with my work tend to be people who appreciate honesty over inspiration porn, who want practical tools more than motivational speeches, who understand that healing is messy and non-linear and requires both individual work and community support.

If that sounds like you, come find me. Share your story. Let's figure out this healing thing together, one authentic connection at a time.

The book comes out in spring, but the conversation about breaking generational cycles and creating more authentic, sustainable ways of being in the world—that conversation is happening right now, and I'd love for you to be part of it.